Category: christmas
Bruno Antonio Buike, * 11.06.1953 – Bremen/Germany
registered to German National Library and to Humanities Commons / Core repository within Columbia University, New York
Category: christmas
Bruno Antonio Buike, * 11.06.1953 – Bremen/Germany
registered to German National Library and to Humanities Commons / Core repository within Columbia University, New York
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BB 12_0 |
Stille Nacht – Silent Night – alpenländisch – Harfe plus ad lib.
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BB 12_1 |
Stille Nacht – Silent Night – alpenländisch – Orgel plus ad lib. /Gemeinde — harsh critics in Northern Germany – but someone, a choir-conductor from Southern Germany, wrote, “that with these Buike-settings the faith in this ill-treated piece RETURNED” – performance in Northern Germany and Northrhein Westfalia during my lifetime prohibited because of facebook-shitstorm in a regional group of church musicians
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BB 13 see BB 167 |
Silent Night – Stille Nacht – 3 Strophen/Verses – Gotteslob No. 145 – orchestra – INSTRUMENTAL ONLY – see BBWV 167 „symphonical“ for use with unisono-singing of the people – harsh critics in Northern Germany – performance in Northern Germany and Northrhine Westfalia during my lifetime prohibited because of shitstorm in facebook –
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BB 14 |
Silent Night – Stille Nacht – orgel instrumental only – German Prayerbook 3 verses – (similar BBWV 13.9) – NOT FOR SINGING – may be used as „piano-reduction“ for BB 13
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BB 15 |
Silent Night – Stille Nacht – chamber organ – choir TTBB – choir SSAT – multilingual texts (“Russian-orthodox style”) – harsh critics in Northern Germany – but someone, a choir-conductur from Southern Germany, wrote, “that with these Buike-settings his faith in this ill-treated piece RETURNED”
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BB 37 |
Präludium Tochter Zion – Prelude Daughter Zion – great organ
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BB 38 |
O sanctissima – O du froehliche – Weihnachtliche Spielmusik – Christmas merry go round – great organ
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BB 43 |
Prelude pour grande orgue sur “Vom Himmel hoch, da komm ich her”
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BB 49.1 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – 3 celli – C Major (to Stephane Tetreault, Montreal/Canada – Santiago Valencia, Bogota/Columbia)
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BB 49.2 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – cello, C major
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BB 49.3 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – stringtrio, G major
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BB 49.4 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – 2 harps plus ad.lib. – C – Major
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BB 49.5 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – cello, Contrabass, C major
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BB 49.6 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – brass 2, F-major
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BB 49.7 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – organ – F-Major – ready for colla parte use
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BB 49.8 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – organ – D-major – NO colla parte – the ORIGINAL
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BB 49.9 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – brass 1 – F-Major
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BB 49.10 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – 2(3) vibraphones – C-Major (to Mallet Duo, Pjotr Schiller, Gdansk/Poland)
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BB 49.11 |
Joh. Pachelbel 1653 -1707 – Vom Himmel hoch – From Heaven down – special woods – F-Major
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BB 51 |
Johann Eccard: Ueber`s Gebirg` Maria (over the mountains young Mary hastens) choir 5 voc. – (choir-organ audio)
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BB 52 |
Johann Eccard: Ueber`s Gebirg` Maria (over the mountains young Mary hastens) – organ
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BB 53 |
Johann Eccard: Ueber`s Gebirg` Maria (over the mountains young Mary hastens) – strings – colla parte with organ and choir
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BB 54 |
Johann Eccard: Ueber`s Gebirg` Maria (over the mountains young Mary hastens) – brass –
colla parte
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BB 55 |
Johann Eccard: Ueber`s Gebirg` Maria (over the mountains young Mary hastens) – clarinettes – colla parte
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BB 56 |
Johann Eccard: Ueber`s Gebirg` Maria (over the mountains young Mary hastens) – woods1 – colla parte
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BB 57 |
Johann Eccard: Ueber`s Gebirg` Maria (over the mountains young Mary hastens) – woods 2 – colla parte
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BB 58 |
Johann Eccard: Ueber`s Gebirg` Maria (over the mountains young Mary hastens) – special woods – colla parte
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BB 59 |
Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – choir+organ/vc (as pseudo-continuum)
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BB 60 |
Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – organ 4 verses
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BB 61 |
Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – strings, 2 verses
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BB 62 |
Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – brass, 2 verses
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BB 63 |
Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – woods, 2 verses
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BB 64 |
Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – orchestra, 4 verses –
please note: the original template is a one-page-setting only, to which the socalled „professional musician“ may tend to laugh only at. But after elaboration we suddenly may come near to shock, what REALLY IS within this „piece“!
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BB 65 |
Cornelius Freundt, 1535-1591 – Wie schön singt uns der Engel Schar – choir, organ – colla parte
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BB 66 |
Cornelius Freundt, 1535-1591 – Wie schön singt uns der Engel Schar – organ – colla parte
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BB 67 |
Cornelius Freundt, 1535-1591 – Wie schön singt uns der Engel Schar – strings – colla parte
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BB 68 |
Cornelius Freundt, 1535-1591 – Wie schön singt uns der Engel Schar – brass – colla parte
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BB 69 |
Cornelius Freundt, 1535-1591 – Wie schön singt uns der Engel Schar – woods – colla parte
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BB 71 |
Hansleo Hassler: Verbum caro factum est – colla parte – organ
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BB 72 |
Hansleo Hassler: Verbum caro factum est – colla parte – strings
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BB 73 |
Hansleo Hassler: Verbum caro factum est – colla parte – brass 6 voc.
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BB 74 |
Hansleo Hassler: Verbum caro factum est – colla parte versions – woods 6 voc.
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Andreasa(with
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Andreasvoc.
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Andreas
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Andreasir
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AndreasSMALLedition, combine with BB 78.1 choir a 8 voc.) -
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BB 81 |
Andreas Hammerschmidt (1611-1676): Machet die Tore weit – Atollite portas – Raise the gates – colla parte – choir/organ (pseudo-continuo)
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BB 82 |
Andreas Hammerschmidt (1611-1676) : Machet die Tore weit – Atollite portas – Raise the gates – colla parte – organ (pseudo-conductor)
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BB 83 |
Andreas Hammerschmidt (1611-1676): Machet die Tore weit – Atollite portas – Raise the gates – colla parte – brass
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BB 84 |
Andreas Hammerschmidt (1611-1676): Machet die Tore weit – Atollite portas – Raise the gates – colla parte – woods
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BB 85 |
Andreas Hammerschmidt (1611-1676): Machet die Tore weit – Atollite portas – Raise the gates – colla parte – strings
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BB 86 |
Andreas Hammerschmidt (1611-1676): Machet die Tore weit – Atollite portas – Raise the gates – orchestra – tutti colla parte BB 81,82,83,84,85 (choir, organ, brass, woods, strings)
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BB 111.1 |
Christmas Kondak – Deva Dnes – (D.Bortnjanski) – choir – with Russian Churchslavonic plus translitteration with Latin letters
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BB 111.2 |
Christmas Kondak – Deva Dnes – (D.Bortnjanski) – organ (audio remastered by Jean-Paul Verpeaux, Bourges/France, French Air Force ret., composer and organ-specialist)
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BB 111.3 |
Christmas Kondak – Deva Dnes – (D.Bortnjanski) – winds
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BB 111.4 |
Christmas Kondak – Deva Dnes – (D.Bortnjanski) – brass –
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BB 111.5 |
Christmas Kondak – Deva Dnes – (D.Bortnjanski) – woods
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BB 112 |
Andrea Gabrieli: Quem vidistis (Christmas) – choir a 8 voc – organ ad lib.
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BB 113 |
Andrea Gabrieli: Quem vidistis – brass a 8 voc (with organ-reeduction)
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BB 114 |
Andrea Gabrieli: Quem vidistis – orchestra, choir, organ (soundfile with nightingale / rossignol)
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BB 115 |
Samuel Scheidt – puer natus – choir LATIN a 8 –
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BB 116 |
Samuel Scheidt – puer natus – choir a 8 German –
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BB 117 |
Samuel Scheidt – puer natus – organ (piano-reduction)
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BB 118 |
Samuel Scheidt – puer natus – strings a 8
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BB 119 |
Samuel Scheidt – puer natus – winds a 8
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BB 120 |
Jan Pieterszoon Sweelinck – Hodie Christus natus est – choir a 5 – (organ ad lib)
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BB 121 |
Jan Pieterszoon Sweelinck – Hodie Christus natus est – brass a 5
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BB 122 |
Jan Pieterszoon Sweelinck – Hodie Christus natus est – strings
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BB 123 |
Heiligste Nacht, Christmas – Michael Haydn (?) – Gotteslob GL 838 – A- Major – melody-version and basic setting from Vienna Boys
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BB 124 |
Heiligste Nacht, Christmas – Michael Haydn (?) – Gotteslob, 1975, GL 838 – A-s Choir, 3 verses with interpolated verse “divine child” by Verspoell, Muenster, 1810 – harp
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BB 125 |
Heiligste Nacht, Christmas – Michael Haydn (?) – Gotteslob 1975, GL 838 – A-Major, melody-version Vienna Boy`s Choir, 3 verses with interpolated verse “divine child” by Verspoell, Muenster, 1810 – 2 horn F/Vc plus male voices T/B
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BB 126 |
Heiligste Nacht, Christmas – Michael Haydn (?) – Gotteslob 1975, GL 838 – Austrian popular, 3 verses – arrangement by G.W. Teschner (1880-1883), additions by Bruno A. Buike 2012 – ca. 3:55 – choir SATB, G-Major with attached strings a 4 and organ ad lib.
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BB 127 |
Heiligste Nacht, Christmas – Michael Haydn (?) – Gotteslob 1975, GL 838 – C major and G major – harp solo – if harp solo unplayable, try 2 harps, if 2 harps unplayable try celesta, if celesta not working or not at hand take piano
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BB 166 |
Petit Papa Noel – F-Major – (Editor/Arranger: Bruno Antonio Buike) – (Tino Rossi 1946) / Henri Martinet (M) /Raimond Vincy (T) – 166.0 – conducteur – 60 pages – 2019 – musical hit and banalization – 166.1 piano + violin, cello, vibra-, xylophone – – 166.2 harp + oboe d’amore, clarinet Bb, violin (oboe) – (Bergers de Montagne) – 166.3 two vibraphones – each 2:06 (6:18 – 8:24)
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BB 167 see BB13 |
Silent Night / Stille Nacht – symphonical plus unisono human voice – 3 verses – C-Major – ca. 6:14 – formal structure: INTRO – verse 1 – verse 2 – verse 3 – CODA – С нами Бог, pазумейте языцы, и покоряйтеся, яко c нами Бог – S’nami Bog! Immanuel! – 167.0 general score/conducteur – 167.1 oboe 1/2 – 167.2 horn F – 167.3 bassoon – 167.4 trumpet Bb 1/2 – 167.5 trombone (ad lib.) – 167.6 violine 1/2 – 167.7 viola 1/2 – 167.8 cello – 167.9 contrabasso – 167.10 organ – 167.11 timpani G C – performance pack
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